Film Review: “The Frontier” Is Meditative Exploration Of Mankind’s Original Frontier: Father & Son Relationships

The Frontier, another Kickstarter success story, is an independent film worth your attention. Tennessee (Coleman Kelly) is a bearded, soft spoken ranch hand, clearly content with his lot in life. His stolid existence is disrupted, however, when he receives a deep, poetic letter from his father, apologizing for his “brittle humanity.” A father wants to see […]

‘The Theory of Everything’ Trailer: Eddie Redmayne Plays Stephen Hawking

The first trailer for Academy Award winner James Marsh’s British biographical drama The Theory of Everything is here.

The film explores the love story between famous physicist Stephen Hawking, played by Eddie Redmayne (Les Misérables) and his first wife Jane Hawking, played by Felicity Jones (The Amazing Spider-Man 2, Like Crazy). In the trailer above, you see Hawking in the early stages of ALS, as well.

The Theory of Everything will premiere at the Toronto International Film Festival in September and is being distributed by Focus Features starting November 7, 2014. The Theory of Everything is based on Jane Hawking’s book Travelling to Infinity: My Life with Stephen.

Once a healthy, active young man, Stephen Hawking (Eddie Redmayne) received an earth-shattering diagnosis at 21 years of age. With his wife Jane (Felicity Jones) fighting tirelessly by his side, Stephen embarks on his most ambitious scientific work, studying the very thing he now has precious little of – time. Together, they defy impossible odds, breaking new ground in medicine and science, and achieving more than they could ever have dreamed.

‘Beyond The Lights’ Trailer: Starring Gugu Mbatha-Raw and Nate Parker

Directed by Gina Prince-Bythewood, Beyond The Lights is the love story between a talented musician and the young police officer who saves her from a suicide attempt.

Gugu Mbatha-Raw, who received critical praise for her performance in this year’s period drama Belle, stars as the violet-haired superstar Noni Jean. Nate Parker, who plays her love interest Kaz Nicol, has previously starred in Non-Stop, Red Tails, and The Great Debaters (alongside Denzel Washington).

Beyond The Lights also stars Minnie Driver and Danny Glover.

Here’s the official synopsis:

Beyond The Lights is the story of Noni Jean, a hot new award-winning artist who is primed for superstardom. But not all is what it seems,and the pressures cause Noni to nearly fall apart – until she meets Kaz Nicol, a promising young cop and aspiring politician who’s been assigned to her detail. Drawn to each other, Noni and Kaz fall fast and hard, despite the protests of those around them to put their career ambitions ahead of their romance. But can Kaz’s love give Noni the courage to find her own voice and break free to become the artist she was meant to be?

Beyond The Lights will be released on November 14, 2014.

‘Into The Woods’ Trailer: Featuring Meryl Streep, Anna Kendrick, & Johnny Depp

An all-star cast that includes Meryl Streep, Anna Kendrick, Johnny Depp, Emily Blunt, Chris Pine, and James Corden…

Into The Woods is a mishmash of various fairy tales including “Little Red Riding Hood,” “Cinderella,” “Rapunzel,” and “Jack and the Beanstalk.” The central storyline involves a Baker (James Corden) and his Wife (Emily Blunt) who discover that they must break a witch’s curse in order to have a child. The Witch (Meryl Streep) in question sends them on a quest to retrieve different ingredients for a mysterious potion she’s making. Along the way, they meet several fairy tale characters.

A witch conspires to teach important lessons to various characters of popular children’s stories.

Originally a Broadway musical written by James Lapine, Into The Woods is being produced by Disney and directed by Rob Marshall. Lapine is adapting the screenplay and Stephen Sondheim, who collaborated with Lapine in writing music for the Broadway version, is composing original songs.

Into The Woods will hit theaters on December 25, 2014.

SDCC 2014: A Comic-Con Retrospective

San Diego Comic-Con is at a tipping point.

This was my second year at Comic-Con, so I’m by no means an expert, but I don’t think anyone would argue with me when I say that SDCC has become bloated, unwieldy, daunting and to be honest, kind of miserable, at times. It’s exhausting, insane and becoming less worth it by the year. There’s enough programming, panels and events to fit over a whole month: if that happened, the result would be much like The Hunger Games. But instead, it’s all squeezed from Wednesday night to Sunday night.

This year, there were innumerable moments where I wished I was in bed and wondering why I was operating on 2 hours sleep to hear god awful fan questions (“Can I hear your Bones laugh, Emily?” THERE ARE 189 EPISODES OF BONES TO REFER TO, WOMAN), and this time I didn’t have to set up or break down a booth and work for months before the event to prepare. It was just me, and what I wanted to do. That should be enough, except it’s impossible to do exactly what you want to do at Comic-Con.

It certainly feels like Comic-Con could very well collapse in on itself, that we’re fast approaching a Ragnarokian implosion, something that might be necessary to bring the event under control. Hollywood loves a good reboot, right?

Comic-Con bills itself as an event for the fans, but I think that’s a naive way of looking at it. Comic-Con is a massive money-making scheme; it’s not for the fans. It’s for the studios that are using Comic-Con and us to do the marketing and word of mouth for them, taking advantage of our passion and love for these characters. Comic-Con can make or break movies. We are killing ourselves waiting in line to watch trailers a few months before we can pay 17 dollars to see them in theaters, or watch them online for free. It’s pretty silly, yet we keep doing it year after year, and feel like we got a show.


Comic-Con has become a place where Playboy has a Bates Motel-themed party. You can’t get in unless you’re somebody, and San Diego’s Gas Lamp quarter is filled with these parties with exclusive guest lists, open bars and/or covers throughout the week. Unless you’re high ranking press or a celebrity, or you’re lucky enough to win a contest, you’re not cool enough to get in, exactly the kind of thing you’d think Comic-Con shouldn’t be about.

Bless Zachary Levi and NerdHQ, who hosted a free-for-all dance party on Thursday night, and hold panels with the benefits going to a good cause. Felicia Day’s Geek & Sundry turned Jolt ‘n Joes into a lounge and party through Wednesday and Friday, open to anybody. These are the kinds of events that Comic-Con should be about, and the equivalent of Slamdance to Comic-Con’s Sundance. Every year, more and more people flock to NerdHQ instead of the Convention Center, to the point where their panels featuring Nathan Fillion, Stephen Amell and Tatiana Maslany sell out in minutes (so maybe it’s not that accessible, but at least your money goes to Operation Smile rather than 20th Century Fox). This is the future of Comic-Con.

If you asked A., who came all the way from Moscow, her face would light up, as she promised to come back to San Diego again as soon as she could afford it. She got to meet Jamie Bamber of Battlestar Galactica, happy to pay his signing fee (even knowing it was irresponsible), and raved nonstop about John Barrowman’s hilarious panel. She also got to walk in to Hall H to see the hunks of Supernatural on Sunday, when many of us were too tired to give a fuck.


Al. flew all the way from Kitchener, Canada, and spent Friday night in line just to see The Hobbit panel, and left before Marvel and the rest of the fanfare. She came with her mom and sister, who were happy to sleep in the hotel. I got the sense that she was drawn to San Diego for the experience, and wanted to live it, rather than needing to be in Hall H, or obsessed with the shows and movies many of us spent hours talking about while we waited.

D. has been going to Comic-Con for 8 years straight, ever since she moved to San Diego. She lives and breathes it, and coordinates line waiting with her friends, and was in Hall H every night save Thursday, when she only got in line at 5 AM before the 10 AM panels.

If there’s one upside to the lines, it’s making friends with whom you’re stuck with. You meet people from all over the world, people who share many of the same interests as you, and will also pound mercilessly at you for the shows and movies you haven’t seen (do I really have to watch The 100?). Everyone’s different, but we’re all the same, wondering incessantly if we’re going to get into Ballroom 20 or Hall H, and debating how many in the cast will show up for the panel. Many complained, but still others accepted their fate, and were happy to camp outside.

Everyone is going to have a different experience and that is part of the beauty that remains of Comic-Con. Some people camped out to get into Hall H all four nights, and will do the same every year until they have crippling back injuries, and that’s worth it to them (many I think do it out of imaginary obligation, wanting to prove how much they care about a movie or show or movie star; the longer you wait in line, the bigger Walking Dead fan you are).


Some actually go to San Diego to see their favorite comic book writers and artists. Whoa. Many just like to dress up, as cosplay is an industry and sub-society on its own (and it’s wonderful). Others just want to take part in the spectacle, to be where the party’s at. I wonder how many even get in; there were these two elderly women who somehow got seats in Hall H on Saturday, and looked blankly at me when I told them Marvel was up next (“What’s that?”). Seriously?

I love catching the various pilots, months before they come out, discovering the next hit shows before everyone else. The 12 year old who still resides in me who discovered Kevin Smith movies was delighted to see the man himself rejuvenated creatively, and talking excitedly about his next trilogy of movies. I got goosebumps and teary eyed watching and singing along to Buffy the Vampire Slayer‘s “Once More With Feeling” in a jam-packed room of Whedon worshipers, as Nicholas Brendon ran up to the stage to sing Xander’s songs with the rest of us, something he’s done for the past four years. That is the power and magic of Comic-Con, that still lives and breathes in corners of the Convention Center. You just have to know where to look for it.

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Trailer: ‘Kingsman: The Secret Service’ Starring Colin Firth, Michael Caine, Samuel L. Jackson

The first trailer for Matthew Vaughn’s Kingsman: The Secret Service has come out, featuring Colin Firth impeccably dressed and working for a top secret, “independent international intelligence agency” with ridiculously awesome gadgets. Like a gold plated lighter hand grenade, and an umbrella that shoots stun pellets. I’ll take two of each, please.

Firth plays the role of a suave action hero who recruits a rebellious teenager to join the Kingsman Agents. Predictably, nearly everyone but Firth seems to scorn and underestimate the kid… golly gee willikers, I wonder if he’ll prove them all wrong, or something.

Kingsman: The Secret Service tells the story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency’s ultra-competitive training program just as a global threat emerges from a twisted tech genius.

The Secret Service looks like fun, I love a good spy movie, and with a cast like Colin Firth, Samuel L. Jackson, Michael Caine, and Mark Strong, and reported appearances by Elton John, Adele, and Lady Gaga, the film will surely draw audiences.

Kingsman: The Secret Service will be released on October 24, 2014.